Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Browse: 10610 objects

Reference URL

Actions

Send e-mail

Contact us about this object

Send e-mail

Send to a friend

Nakamura Kichiemon II as the footman Unpei

  • Description

    Kanadehon Chūshingura, or ‘The Revenge of the Forty-seven Ronin’, is one of the best known of all kabuki plays. It is based on the true story of a group of samurai who were left leaderless (becoming ‘rōnin’) after their lord was forced to commit ritual suicide (seppuku) for assaulting a court official. The rōnin avenged their master's honour after patiently waiting for two years to kill the official. The rōnin were then forced to commit seppuku themselves for committing murder. The story became hugely popular for the way it symbolized the values of loyalty, sacrifice, persistence, and honour.

  • Details

    Series
    The Bride’s Journey
    Associated place
    Asia Japan (place of creation)
    Date
    1991
    Artist/maker
    Tsuruya Kōkei (born 1946) (designer)
    Associated people
    Nakamura Kichiemon II (born 1944) (subject)
    Material and technique
    woodblock on ganpi paper
    Dimensions
    print 39 x 25 cm (height x width)
    Material index
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Presented by Philip Harris, 2010.
    Accession no.
    EA2010.43

Past Exhibition

see (1)

Location

    • currently in research collection

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

© 2013 University of Oxford - Ashmolean Museum