Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

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A lady at a linga shrine, illustrating the musical mode Bhairavi Ragini

  • Description

    A lady sits chanting and playing cymbals beside the linga icon of Shiva within a shrine set in a rocky landscape with plantains and other trees. This page from a Ragamala (‘Garland of Ragas’) illustrates the musical mode Bhairavi.

  • Details

    Series
    Garland of Ragas
    Associated place
    AsiaIndiaDeccan north Deccan (place of creation)
    Date
    c. 1675
    Material and technique
    gouache on paper
    Dimensions
    mount 55.4 x 40.1 cm (height x width)
    painting 26.5 x 22.2 cm (height x width)
    Material index
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Purchased, 1999.
    Accession no.
    EA1999.22
  • Further reading

    Topsfield, A., ‘A Dispersed Ragamala from the Deccan’, Naval Krishna and Manu Krishna, eds, The Ananda-vana of Indian Art: Dr Anand Krishna Felicitation Volume (Varanasi: Indica Books, 2004), p. 325, illus. p. 325 pl. 9

Glossary (2)

Ragamala, Ragini

  • Ragamala

    Raga (feminine ragini) are musical modes, often represented by compositions of ladies, lovers, warriors, animals or gods, in series of Ragamala ('Garland of Ragas') paintings, a very popular artistic genre in north India and the Deccan c. 1500 - 1800.

  • Ragini

    Raga (feminine ragini) are musical modes, often represented by compositions of ladies, lovers, warriors, animals or gods, in series of Ragamala ('Garland of Ragas') paintings, a very popular artistic genre in north India and the Deccan c. 1500 - 1800.

Location

    • currently in research collection

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

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