Sakai Hōitsu was a high-ranking samurai, son of the lord of Himeji Castle. He studied with Kanō, Ukiyo-e, Nanga, and Maruyama Schools before settling down to pursue the Rinpa style of Ogata Kōrin. The tree branches illustrate a technique favoured by Rinpa artists known as tarashikomi in which several colours of wet pigment are allowed to pool together on the surface, producing a blurred effect. The metallic background is another Rinpa characteristic. It is now tarnished, but would originally have been a much brighter silver.
Katz, Janice, Japanese Paintings in the Ashmolean Museum, Oxford, with an introductory essay by Oliver Impey (Oxford: Ashmolean Museum, 2003), no. 50 on p. 172, p. 153, illus. pp. 172-173
Hillier, J., The Harari Collection of Japanese Paintings and Drawings, copyright owned by Michael Harari, 3 vols (London: Lund Humphries, 1973), no. 301 on p. 535, illus. p. 536 fig. 301
Nanga
Lit. ‘Southern painting’ – Edo period (1600-1868) Japanese painting school derived from Chinese models.
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
© 2013 University of Oxford - Ashmolean Museum