As if inquiring “he loves me, he loves me not”, a lovelorn lady picks leaves from the creeper around a tree growing in a vase. This illustration of the musical mode Gunakali is from the same Ragamala series as the adjacent Bhairavi.
Topsfield, A., ‘A Dispersed Ragamala from the Deccan’, Naval Krishna and Manu Krishna, eds, The Ananda-vana of Indian Art: Dr Anand Krishna Felicitation Volume (Varanasi: Indica Books, 2004), p. 323, illus. p. 323 pl. 5
Ragamala, Ragini
Raga (feminine ragini) are musical modes, often represented by compositions of ladies, lovers, warriors, animals or gods, in series of Ragamala ('Garland of Ragas') paintings, a very popular artistic genre in north India and the Deccan c. 1500 - 1800.
Raga (feminine ragini) are musical modes, often represented by compositions of ladies, lovers, warriors, animals or gods, in series of Ragamala ('Garland of Ragas') paintings, a very popular artistic genre in north India and the Deccan c. 1500 - 1800.
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