Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

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Embroideries and Samplers from Islamic Egypt

A selection of 10th to 16th century embroideries from the Newberry collection at the Ashmolean by Marianne Ellis (published Oxford, 2001).

Embroideries and Samplers from Islamic Egypt by Marianne Ellis

Publications online: 66 objects

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Sampler fragment with S-shapes and hooks

  • Literature notes

    The nine band patterns recorded on this sampler are embroidered so that the motifs are in reserve; the ground is covered in little dots formed by pattern darning in running stitches over and under two threads in alternate lines. Sometimes the ‘voided areas’ have been defined by threading cotton through the stitches along the edges, adding emphasis to the linear quality of the design.

    A substantial number of fragments in the collection were worked in this manner, ranging from ones with narrow and wide bands of geometric pattern to others with repeating motifs placed in offset rows. The S-and Z-shapes, double arrowheads, stars and whirling rosettes, so typical of Mamluk design, look particularly effective when thrown into relief by this arrangement of pattern darning.
  • Details

    Associated place
    Africa Egypt (find spot)
    AfricaEgyptCairoCairo Fustat (possible find spot)
    Near East (place of creation)
    Date
    Mamluk Period (1250 - 1517)
    Material and technique
    three pieces of linen, embroidered with light-blue and dark-blue thread, possibly cotton; joined with stitching in flax
    Dimensions
    22 x 16 cm (length x width)
    ground fabric 1, along length/width 17 / 18 threads/cm (thread count)
    ground fabric 2, along length/width 20 / 18 threads/cm (thread count)
    ground fabric 3, along length/width 20 / 19 threads/cm (thread count)
    ground fabric 0.06 cm max. (thread diameter)
    ground fabric 0.04 cm min. (thread diameter)
    additional fibre, embroidery 0.07 cm (thread diameter)
    Material index
    organicvegetalfibreflax linen,
    organicvegetalfibre cotton,
    organicvegetalfibre flax
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Presented by Professor Percy Newberry, 1941.
    Accession no.
    EA1984.490
  • Further reading

    Ellis, Marianne, Embroideries and Samplers from Islamic Egypt (Oxford: Ashmolean Museum, in association with Greenville: Curious Works Press, 2001), no. 24 on p. 40, pp. 42-43, illus. p. 40

    Barnes, Ruth and Marianne Ellis, ‘The Newberry Collection of Islamic Embroideries’, 4 vols, 2001, Oxford, Ashmolean Museum, cat. vol. iii, illus. vol. i

Location

    • Lower ground floor | Room 5 | Textiles

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

Publications online

  • Embroideries and Samplers from Islamic Egypt by Marianne Ellis

    Embroideries and Samplers from Islamic Egypt

    The nine band patterns recorded on this sampler are embroidered so that the motifs are in reserve; the ground is covered in little dots formed by pattern darning in running stitches over and under two threads in alternate lines. Sometimes the ‘voided areas’ have been defined by threading cotton through the stitches along the edges, adding emphasis to the linear quality of the design.

    A substantial number of fragments in the collection were worked in this manner, ranging from ones with narrow and wide bands of geometric pattern to others with repeating motifs placed in offset rows. The S-and Z-shapes, double arrowheads, stars and whirling rosettes, so typical of Mamluk design, look particularly effective when thrown into relief by this arrangement of pattern darning.
  • The Newberry Collection of Islamic Embroideries by Ruth Barnes and Marianne Ellis

    The Newberry Collection of Islamic Embroideries

    A sampler fragment with six rectangles, two squares set up as diamonds and linked to triangles, and a chevron. They are filled with S-shapes, hook motifs, and continuous curving lines.

    The fragment is sewn together from three linen pieces.
Notice

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