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Embroideries and Samplers from Islamic Egypt

A selection of 10th to 16th century embroideries from the Newberry collection at the Ashmolean by Marianne Ellis (published Oxford, 2001).

Embroideries and Samplers from Islamic Egypt by Marianne Ellis

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Textile fragment with diamond-shaped medallions containing a pseudo-Kufic word

  • Literature notes

    The repeating motifs embroidered on this fragment have been arranged in offset rows which was a common way of creating all-over patterns on Mamluk textiles; these were sometimes worked in two colours, generally blue and red alternating. Beneath one, Professor Newberry pencilled in the word “health”. Evidently he thought the motif derived from the word al- 'âfiya (Arabic for good health, well-being) based on kufic letters repeated in mirror-image fashion. The motif appears in slightly different forms on several of the Newberry embroideries from the Mamluk period prompting the thought that the device was viewed as a protective or ‘good luck' symbol. However, it has also been suggested that it may have been derived from the word "Allah" and over time lost its significance.

    This motif is particularly interesting because it provides more evidence that designs in early European pattern books were influenced by Mamluk textiles. A similar image was published in Schönsperger's pattern book, Modelbuch, of 1524 [illustrated in publication].
  • Details

    Associated place
    Africa Egypt (find spot)
    AfricaEgyptCairoCairo Fustat (possible find spot)
    Near East (place of creation)
    Date
    Mamluk Period (1250 - 1517)
    Material and technique
    linen, embroidered with blue silk
    Dimensions
    ground fabric 25.4 x 11.3 cm (height x width)
    ground fabric 17 / 18 threads/cm (thread count)
    ground fabric 0.05 cm (thread diameter)
    additional fibre, embroidery 0.07 cm (thread diameter)
    Material index
    organicvegetalfibreflax linen,
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Presented by Professor Percy Newberry, 1941.
    Accession no.
    EA1993.76
  • Further reading

    Ellis, Marianne, Embroideries and Samplers from Islamic Egypt (Oxford: Ashmolean Museum, in association with Greenville: Curious Works Press, 2001), no. 18 on p. 32, pp. 8 & 34, illus. p. 33

    Kühnel, Ernst, Islamische Stoffe aus ägyptischen Gräbern in der islamischen Kunstabteilung und in der Stoffsammlung des Schlossmuseums (Berlin: Ernst Wasmuth, 1927), cat. 3271, 65, pl. 38

    Barnes, Ruth and Marianne Ellis, ‘The Newberry Collection of Islamic Embroideries’, 4 vols, 2001, Oxford, Ashmolean Museum, cat. p. 37 (vol. iv), illus. vol. iv p. 37

Glossary

kufic

  • kufic

    A term denoting various styles of angular Arabic script. Emerged in the early centuries of Islam, kufic soon became the preferred hand to copy holy texts.

Location

    • currently in research collection

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

Publications online

  • Embroideries and Samplers from Islamic Egypt by Marianne Ellis

    Embroideries and Samplers from Islamic Egypt

    The repeating motifs embroidered on this fragment have been arranged in offset rows which was a common way of creating all-over patterns on Mamluk textiles; these were sometimes worked in two colours, generally blue and red alternating. Beneath one, Professor Newberry pencilled in the word “health”. Evidently he thought the motif derived from the word al- 'âfiya (Arabic for good health, well-being) based on kufic letters repeated in mirror-image fashion. The motif appears in slightly different forms on several of the Newberry embroideries from the Mamluk period prompting the thought that the device was viewed as a protective or ‘good luck' symbol. However, it has also been suggested that it may have been derived from the word "Allah" and over time lost its significance.

    This motif is particularly interesting because it provides more evidence that designs in early European pattern books were influenced by Mamluk textiles. A similar image was published in Schönsperger's pattern book, Modelbuch, of 1524 [illustrated in publication].
  • The Newberry Collection of Islamic Embroideries by Ruth Barnes and Marianne Ellis

    The Newberry Collection of Islamic Embroideries

    Three diamond-shaped medallions, each containing the same design of a pseudo-Kufic word possibly from al-mulk 'the kingdom'.
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