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The A. H. Church Collection of Japanese Sword-Guards (Tsuba)

An unpublished catalogue of the A. H. Church collection of Japanese sword-guards (tsuba) by Albert James Koop.

The A.H. Church Collection of Japanese Sword-Guards (Tsuba) by Albert James Koop

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Lenticular tsuba with chrysanthemum flowers and leaves

  • Literature notes

    Slightly lenticular; two chrysanthemum flowers in negative silhouette piercing, and a leaf in sunk flat relief on each face (identical design, reversed, in the same relative position); each leaf is touched with gold nunome in three places.

    A guard in similar style, signed by the same artist and dated for 1834, is quoted by Hara as being in the Zuckerkandl Collection, Gleiwitz.
  • Details

    Associated place
    Asia Japan (place of creation)
    Date
    possibly 1834
    Material and technique
    iron, with ito-sukashi decoration (‘thread-piercing’ openwork), and gold nunome-zōgan decoration
    Dimensions
    7.5 x 7.2 cm (height x width)
    Material index
    Technique index
    cut,
    Object type index
    No. of items
    1
    Credit line
    Bequeathed by Sir Arthur H. Church, 1915.
    Accession no.
    EAX.10600
  • Further reading

    Koop, Albert James, The A. H. Church Collection of Japanese Sword-Guards (Tsuba), 3 vols (Oxford, Ashmolean Museum, 1929), no. 600

Glossary (2)

nunome-zōgan, tsuba

  • nunome-zōgan

    Decorative application of metal sheeting (generally of gold or silver) where the iron ground is first cross-hatched and the metal burnished on.

  • tsuba

    Japanese sword guard.

Location

    • currently in research collection

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Publications online

  • The A.H. Church Collection of Japanese Sword-Guards (Tsuba) by Albert James Koop

    The A. H. Church Collection of Japanese Sword-Guards (Tsuba)

    Slightly lenticular; two chrysanthemum flowers in negative silhouette piercing, and a leaf in sunk flat relief on each face (identical design, reversed, in the same relative position); each leaf is touched with gold nunome in three places.

    A guard in similar style, signed by the same artist and dated for 1834, is quoted by Hara as being in the Zuckerkandl Collection, Gleiwitz.
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