Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

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The A. H. Church Collection of Japanese Sword-Guards (Tsuba)

An unpublished catalogue of the A. H. Church collection of Japanese sword-guards (tsuba) by Albert James Koop.

The A.H. Church Collection of Japanese Sword-Guards (Tsuba) by Albert James Koop

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Tsuba in the form of a citron with leaves and stem

  • Literature notes

    Modelled in openwork as a citron with stem and leaves.

    Hara gives "Tanzendō Tessai of Kishū, perhaps identical with the Tanzendō Yoshikatsu [Japanese text] who signs a guard in the Berlin Kunstgewerbe Museum with date 1813 and another in the Hamburg Museum with date 1817. Wada (p.121) quotes the signature Kōto (i.e. of Kiōto) Tanzendō Tessai as appearing on circular guards of iron in openwork with "square" edges. Neither authority gives the surname Kinoshita, which is found on two guards in the V. and A. M., one dated 1816.
  • Details

    Associated place
    Asia Japan (place of creation)
    Date
    1st half of the 19th century
    Material and technique
    iron, with cut and filed openwork decoration; ryōhitsu plugged with soft metal, probably shakudō
    Dimensions
    7.5 x 7.2 cm (height x width)
    Material index
    Technique index
    cut,
    Object type index
    No. of items
    1
    Credit line
    Bequeathed by Sir Arthur H. Church, 1915.
    Accession no.
    EAX.10720
  • Further reading

    Koop, Albert James, The A. H. Church Collection of Japanese Sword-Guards (Tsuba), 3 vols (Oxford, Ashmolean Museum, 1929), no. 720

Glossary (2)

shakudō, tsuba

  • shakudō

    alloy of copper and gold, patinated to a dark blue-black colour

  • tsuba

    Japanese sword guard.

Location

    • currently in research collection

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Publications online

  • The A.H. Church Collection of Japanese Sword-Guards (Tsuba) by Albert James Koop

    The A. H. Church Collection of Japanese Sword-Guards (Tsuba)

    Modelled in openwork as a citron with stem and leaves.

    Hara gives "Tanzendō Tessai of Kishū, perhaps identical with the Tanzendō Yoshikatsu [Japanese text] who signs a guard in the Berlin Kunstgewerbe Museum with date 1813 and another in the Hamburg Museum with date 1817. Wada (p.121) quotes the signature Kōto (i.e. of Kiōto) Tanzendō Tessai as appearing on circular guards of iron in openwork with "square" edges. Neither authority gives the surname Kinoshita, which is found on two guards in the V. and A. M., one dated 1816.
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