Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

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The A. H. Church Collection of Japanese Sword-Guards (Tsuba)

An unpublished catalogue of the A. H. Church collection of Japanese sword-guards (tsuba) by Albert James Koop.

The A.H. Church Collection of Japanese Sword-Guards (Tsuba) by Albert James Koop

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Tsuba with round border containing a lozenge

  • Literature notes

    Thick; constructed as a lozenge-shaped frame within a circular ring, the former united to the seppadai by four short bars; bars, lozenge and ring are all of circular section; the seppadai is square-edged.

    It is, of course, only a square, not a lozenge, that can be truly inscribed in a circle, and here the angles of the inscribed figure necessarily "bite" more deeply into the ring at the top and bottom than they do to right and left; also the short bars are not in all cases at right angles to the side of the lozenge. For these reasons the design, while very attractive in the normal position, looks extremely awkward when placed diagonally.
  • Details

    Associated place
    Asia Japan (place of creation)
    Date
    18th century (1701 - 1800)
    Material and technique
    iron, with cut and filed openwork decoration
    Dimensions
    8.5 x 8.5 cm (height x width)
    Material index
    Technique index
    cut
    Object type index
    No. of items
    1
    Credit line
    Bequeathed by Sir Arthur H. Church, 1915.
    Accession no.
    EAX.10754
  • Further reading

    Koop, Albert James, The A. H. Church Collection of Japanese Sword-Guards (Tsuba), 3 vols (Oxford, Ashmolean Museum, 1929), no. 754

Glossary

tsuba

  • tsuba

    Japanese sword guard.

Location

    • currently in research collection

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Publications online

  • The A.H. Church Collection of Japanese Sword-Guards (Tsuba) by Albert James Koop

    The A. H. Church Collection of Japanese Sword-Guards (Tsuba)

    Thick; constructed as a lozenge-shaped frame within a circular ring, the former united to the seppadai by four short bars; bars, lozenge and ring are all of circular section; the seppadai is square-edged.

    It is, of course, only a square, not a lozenge, that can be truly inscribed in a circle, and here the angles of the inscribed figure necessarily "bite" more deeply into the ring at the top and bottom than they do to right and left; also the short bars are not in all cases at right angles to the side of the lozenge. For these reasons the design, while very attractive in the normal position, looks extremely awkward when placed diagonally.
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