Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Chinese Paintings in the Ashmolean Museum, Oxford

A catalogue of the Ashmolean collection of Chinese paintings by Shelagh Vainker (published Oxford, 2000).

Chinese Paintings in the Ashmolean Museum, Oxford by Shelagh Vainker

Publications online: 222 objects

Reference URL

Actions

Send e-mail

Contact us about this object

Send e-mail

Send to a friend

Landscape with a small building

  • Literature notes

    Huang Binhong was one of the foremost literati painters and art historians of the early twentieth century. Born in She Xian, Anhui province, he was brought up in Zhejiang province and worked for some years in Peking before settling in Shanghai in 1909. In 1937 he returned to Peking. The art associations he was instrumental in establishing include the Society of Chinese Antiquities, Calligraphy and Painting (Zhongguo jinshi shuhua yiguan xuehui, 1926) and the Bees Painting Society (Mifeng huashe, 1927). His painting style, which is largely characterised by the use of dense, overlapping layers of ink, has been said to comprise one of the last major innovations in literati landscape painting. He wrote extensively on the history of Chinese painting, was a renowned connoisseur of both paintings and art objects, and edited many publications. His best-known published work is the Meishu congshu (1911) in 120 volumes, a collection of historical and modern writings on art which he compiled with Deng Qiumei. He lectured at several art colleges throughout his career and after 1949 held numerous prestigious academic and administrative positions.
  • Details

    Associated place
    Asia China (place of creation)
    Date
    1927 - 1955
    Artist/maker
    Huang Binhong (1864 - 1955) (artist)
    Material and technique
    ink on paper
    Dimensions
    75.184 x 27.18 cm (height x width)
    Material index
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Purchased, 1962.
    Accession no.
    EA1962.226
  • Further reading

    Vainker, Shelagh, Chinese Paintings in the Ashmolean Museum, Oxford (Oxford: Ashmolean Museum, 2000), no. 43 on p. 67, illus. p. 68 fig. 43

Location

    • currently in research collection

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

Publications online

  • Chinese Paintings in the Ashmolean Museum, Oxford by Shelagh Vainker

    Chinese Paintings in the Ashmolean Museum, Oxford

    Huang Binhong was one of the foremost literati painters and art historians of the early twentieth century. Born in She Xian, Anhui province, he was brought up in Zhejiang province and worked for some years in Peking before settling in Shanghai in 1909. In 1937 he returned to Peking. The art associations he was instrumental in establishing include the Society of Chinese Antiquities, Calligraphy and Painting (Zhongguo jinshi shuhua yiguan xuehui, 1926) and the Bees Painting Society (Mifeng huashe, 1927). His painting style, which is largely characterised by the use of dense, overlapping layers of ink, has been said to comprise one of the last major innovations in literati landscape painting. He wrote extensively on the history of Chinese painting, was a renowned connoisseur of both paintings and art objects, and edited many publications. His best-known published work is the Meishu congshu (1911) in 120 volumes, a collection of historical and modern writings on art which he compiled with Deng Qiumei. He lectured at several art colleges throughout his career and after 1949 held numerous prestigious academic and administrative positions.
Notice

Object information may not accurately reflect the actual contents of the original publication, since our online objects contain current information held in our collections database. Click on 'buy this publication' to purchase printed versions of our online publications, where available, or contact the Jameel Study Centre to arrange access to books on our collections that are now out of print.

© 2013 University of Oxford - Ashmolean Museum