Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Chinese Paintings in the Ashmolean Museum, Oxford

A catalogue of the Ashmolean collection of Chinese paintings by Shelagh Vainker (published Oxford, 2000).

Chinese Paintings in the Ashmolean Museum, Oxford by Shelagh Vainker

Publications online: 222 objects

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Spring in Wuling

  • Literature notes

    Ho Fung-Lin studied undet the prominent Lingnan School artist Zhao Shao'ang (1905-1998; see Reyes Catalogue). As well as painting in accordance with Zhao's principles of innovation within tradition, she writes on contemporary Chinese art with particular reference to the Lingnan School. Her paintings often include her own poetry. The subject of the painting is 'Peach Blossom Spring', a famous literary episode in which a scholar comes across an idyllic land inhabited by people of China's distant golden age. This poem is the artist's own composition.
  • Description

    Ho Fung-lin studied painting under the prominent Lingnan School artist Zhao Shao’ang (1905-1998). Her painting style emulates Zhao’s principles of innovation within tradition, and she writes on contemporary Chinese art with particular reference to the Lingnan School. She is expressive in her use of colour as well as ink. By varying the tones of ink she is able to achieve a colourful composition. Her paintings often include her own poetry.

    The subject of this painting is the ‘Peach Blossom Spring’, a famous literary episode in which a scholar comes across an idyllic land inhabited by people of China’s distant golden age. This poem is the artist’s own composition and it reads ‘Amid misty spring cloud and pale mountains, the landscape of Wuling fills this world. Countless peach blossoms bloom on both banks, with the help of the fishing boat, I hope to travel it every day.’

  • Details

    Associated place
    Asia China (place of creation)
    Date
    1999
    Artist/maker
    Ho Fung-lin (born 1944) (artist)
    Ho Fung-lin (born 1944) (calligrapher)
    after Tao Yuanming (died AD 427) (author)
    Material and technique
    ink and colour on paper
    Dimensions
    mount 45.5 x 181 cm (height x width)
    painting 30.5 x 131.5 cm (height x width)
    Material index
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Presented by Ho Fung-lin, 1999.
    Accession no.
    EA1999.43
  • Further reading

    Vainker, Shelagh, Chinese Paintings in the Ashmolean Museum, Oxford (Oxford: Ashmolean Museum, 2000), no. 38 on p. 63, illus. pp. 62-63 fig. 38

Past Exhibition

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Location

    • currently in research collection

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Publications online

  • Chinese Paintings in the Ashmolean Museum, Oxford by Shelagh Vainker

    Chinese Paintings in the Ashmolean Museum, Oxford

    Ho Fung-Lin studied undet the prominent Lingnan School artist Zhao Shao'ang (1905-1998; see Reyes Catalogue). As well as painting in accordance with Zhao's principles of innovation within tradition, she writes on contemporary Chinese art with particular reference to the Lingnan School. Her paintings often include her own poetry. The subject of the painting is 'Peach Blossom Spring', a famous literary episode in which a scholar comes across an idyllic land inhabited by people of China's distant golden age. This poem is the artist's own composition.
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