A catalogue of the Ashmolean collection of Chinese paintings by Shelagh Vainker (published Oxford, 2000).
Xiao Sun was from Huaining in Anhui province, where he first learnt to paint with Jian Yun (1847-1919). In the inscription on this painting, the artist describes: ‘[I] casually composed [this painting], and unexpectedly it looks like [the works of] Huanghe shanqiao [aka Wang Meng (1301-1385)]. His early works were tidy and rigid. Someone told him “painting should be for yourself, not for others”. After that, [he] changed his attitude, and his art is much improved. In my opinion, his later achievement is a consequence of his early rigidness; when his spirit comes and comes to the pond [to paint], he brings out his personal characteristics and style, and undoubtedly shows the quality. Saying something like ‘for others or for yourself’ is to make others believe [his reason of changing], which he first makes himself believe’.
Vainker, Shelagh, Chinese Paintings in the Ashmolean Museum, Oxford (Oxford: Ashmolean Museum, 2000), no. 146 on p. 170, illus. p. 171 fig. 146
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
Object information may not accurately reflect the actual contents of the original publication, since our online objects contain current information held in our collections database. Click on 'buy this publication' to purchase printed versions of our online publications, where available, or contact the Jameel Study Centre to arrange access to books on our collections that are now out of print.
© 2013 University of Oxford - Ashmolean Museum