Chinese Paintings in the Ashmolean Museum, Oxford
A catalogue of the Ashmolean collection of Chinese paintings by Shelagh Vainker (published Oxford, 2000).
Publications online: 222 objects
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Lotus and goldfish
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Literature notes
Ding Yanyong was born in Maoming, Guangdong province. From 1921-1925 he studied at Tokyo School of Fine Arts, which had established a Western Art department in 1896. This period coincided with the return to Japan of many artists who had visited Europe, and Ding studied oil painting and was influenced by the Impressionists, Post-Impressionists and Fauves. Amongst Chinese painters he was influenced most by Zhu Da, whose paintings and calligraphy he collected. On his return from Japan Ding was appointed professor of Western-style painting at Shanghai College of Art; subsequently his career was divided between Shanghai and Canton until 1949, when he moved to Hong Kong, and taught in the fine art department of the Chinese University of Hong Kong. -
Details
- Associated place
- Date
- 1972
- Artist/maker
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Ding Yanyong (1902 - 1978) (artist)
- Material and technique
- ink and colour on paper
- Dimensions
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mount 180 x 52.5 cm approx. (height x width)
painting 71.5 x 35 cm (height x width)
along roller 60.5 cm (length)
- Material index
- Technique index
- Object type index
- No. of items
- 1
- Credit line
- Purchased, 1993.
- Accession no.
- EA1993.401
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Further reading
Vainker, Shelagh, Chinese Paintings in the Ashmolean Museum, Oxford (Oxford: Ashmolean Museum, 2000), no. 16 on p. 38, illus. p. 39 fig. 16
Location
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- currently in research collection
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
Publications online
-
Chinese Paintings in the Ashmolean Museum, Oxford
Ding Yanyong was born in Maoming, Guangdong province. From 1921-1925 he studied at Tokyo School of Fine Arts, which had established a Western Art department in 1896. This period coincided with the return to Japan of many artists who had visited Europe, and Ding studied oil painting and was influenced by the Impressionists, Post-Impressionists and Fauves. Amongst Chinese painters he was influenced most by Zhu Da, whose paintings and calligraphy he collected. On his return from Japan Ding was appointed professor of Western-style painting at Shanghai College of Art; subsequently his career was divided between Shanghai and Canton until 1949, when he moved to Hong Kong, and taught in the fine art department of the Chinese University of Hong Kong.
Notice
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