A catalogue of the Ashmolean collection of Chinese paintings by Shelagh Vainker (published Oxford, 2000).
Ren Yi (1840-1895) was the most successful and influential of the 'Four Rens', four artists with the surname Ren in the Shanghai school. He was born into a family who did portrait painting for a living, and therefore managed to build up a firm foundation of painting techniques when he was a child. Ren Yi roamed the Lake Tai area during his twenties and learned painting from famous artists such as Ren Xiong (1820-1857), Ren Xun (1835-1893), and Wu Changshuo (1844-1927). In 1863, Ren Yi moved to Shanghai, where he became a very well received artist. Ren Yi's early flower-and-bird paintings are characterised by the gongbi fine brush style. After 1880, he turned to a more succinct and powerful style after Zhu Da (Bada Shanren) (c.1626-1705). This painting, dated to 1886, demonstrates this transition in his style - the bird was finished with ink in different tones and only slight colour.
Vainker, Shelagh, Chinese Paintings in the Ashmolean Museum, Oxford (Oxford: Ashmolean Museum, 2000), no. 116 on p. 132, illus. p. 133 fig. 116
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