Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Chinese Paintings in the Ashmolean Museum, Oxford

A catalogue of the Ashmolean collection of Chinese paintings by Shelagh Vainker (published Oxford, 2000).

Chinese Paintings in the Ashmolean Museum, Oxford by Shelagh Vainker

Publications online: 222 objects

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Peaks of Mount Hua Piercing the Sky

  • Literature notes

    Song Wenzhi was born in Taicang county in Jiangsu province. Originally an art teacher, he studied painting with Zhu Qizhan and Lu Yanshao, and later with Wu Hufan (q.v.), and in 1957 joined the Jiangsu Chinese Painting Academy. He was later deputy head of Nanjing Art Academy and toured the country with Fu Baoshi (q.v.) and other artists in 1960. Song Wenzhi is well known for his work of the late 1950s and early 1960s in which contemporary political trends are reflected in traditional style landscapes, and as a landscapist of the Jiangnan region.
  • Description

    Song Wenzhi was born in Taicang, Jiangsu province. Originally an art teacher, he joined the Jiangsu Chinese Painting Academy in 1957. He toured the country with Fu Baoshi, Qian Songyan and other artists in 1960. He was later deputy head of the Nanjing Art Academy. Song is well known as a landscapist of the Jiangnan region and for his work from the late 1950s to 1970s in which contemporary political trends are reflected in traditional style landscapes.

    This painting depicts Mount Hua in a traditional style, yet the seal of the artist indicates the painting’s patriotic function as ‘praising the grand landscape of motherland’, which was considered a key function of the revival of Chinese landscape painting in the late 1950s and early 1960s.

  • Details

    Associated place
    AsiaChinaJiangsu province Nanjing (place of creation)
    AsiaChina Shaanxi province (Mount Hua) (subject)
    Date
    March 1964
    Artist/maker
    Song Wenzhi (1919 - 1999) (artist)
    Material and technique
    ink and colour on paper; mounted on layers of paper, framed with ling silk pieces; backed with paper scroll
    Dimensions
    91.44 x 53.34 cm (height x width)
    Material index
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Purchased with the assistance of the Lady Cash Bequest, 1965.
    Accession no.
    EA1965.63
  • Further reading

    Vainker, Shelagh, Chinese Paintings in the Ashmolean Museum, Oxford (Oxford: Ashmolean Museum, 2000), no. 121 on p. 140, illus. p. 140 fig. 121

Past Exhibition

see (1)

Location

    • currently in research collection

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Publications online

  • Chinese Paintings in the Ashmolean Museum, Oxford by Shelagh Vainker

    Chinese Paintings in the Ashmolean Museum, Oxford

    Song Wenzhi was born in Taicang county in Jiangsu province. Originally an art teacher, he studied painting with Zhu Qizhan and Lu Yanshao, and later with Wu Hufan (q.v.), and in 1957 joined the Jiangsu Chinese Painting Academy. He was later deputy head of Nanjing Art Academy and toured the country with Fu Baoshi (q.v.) and other artists in 1960. Song Wenzhi is well known for his work of the late 1950s and early 1960s in which contemporary political trends are reflected in traditional style landscapes, and as a landscapist of the Jiangnan region.
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