Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Indian Art in the Ashmolean Museum

A catalogue of the Ashmolean’s collection of Indian art by J. C. Harle and Andrew Topsfield (published Oxford, 1987).

Indian Art in the Ashmolean Museum by J. C. Harle and Andrew Topsfield

Publications online: 143 objects

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Toy model of a woman having her hair dressed

  • Literature notes

    The Museum has a number of figurines and toys in painted wood and terracotta from Bengal, Orissa, Rajasthan and other regions. Ephemeral by nature and therefore relatively recent in date, they nevertheless embody ancient traditions of modelling and decoration answering to the timeless needs and way of life of rural communities. Whether for use as temporary images in domestic religious rituals, as household utensils or as children’s playthings, they are produced with a lively dexterity and spontaneity of execution according to long established conventions.

    This hair-dressing scene of two kneeling women with raised heads and curving, elongated arms is described as coming from Katalia, Murshidabad district. It is of a type popular in West Bengal, said by Mookerjee to be “commonly known as Birbhum toys because they are sold at the Paus-mela [fair] at Santiniketan”. The figures are freely modelled by hand but a mould has been used for the faces. A silvery-white mica coating is applied overall, finished with strokes of black colour defining the hair, eyes and jewellery.
  • Details

    Associated place
    AsiaIndiaeast IndiaWest Bengal Murshidabad (Katalia) (place of creation)
    Date
    early 20th century
    Material and technique
    terracotta, hand-modelled and mould-made, and covered in mica, with painting in black
    Dimensions
    11.5 x 9 x 15.7 cm (height x width x depth)
    Material index
    inorganicstone mica,
    Technique index
    Object type index
    No. of items
    1
    Accession no.
    EAX.2297
  • Further reading

    Harle, J. C., and Andrew Topsfield, Indian Art in the Ashmolean Museum (Oxford: Ashmolean Museum, 1987), no. 76 on p. 68, illus. p. 68

Location

    • currently in research collection

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

Publications online

  • Indian Art in the Ashmolean Museum by J. C. Harle and Andrew Topsfield

    Indian Art in the Ashmolean Museum

    The Museum has a number of figurines and toys in painted wood and terracotta from Bengal, Orissa, Rajasthan and other regions. Ephemeral by nature and therefore relatively recent in date, they nevertheless embody ancient traditions of modelling and decoration answering to the timeless needs and way of life of rural communities. Whether for use as temporary images in domestic religious rituals, as household utensils or as children’s playthings, they are produced with a lively dexterity and spontaneity of execution according to long established conventions.

    This hair-dressing scene of two kneeling women with raised heads and curving, elongated arms is described as coming from Katalia, Murshidabad district. It is of a type popular in West Bengal, said by Mookerjee to be “commonly known as Birbhum toys because they are sold at the Paus-mela [fair] at Santiniketan”. The figures are freely modelled by hand but a mould has been used for the faces. A silvery-white mica coating is applied overall, finished with strokes of black colour defining the hair, eyes and jewellery.
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