Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Chinese Prints 1950-2006 in the Ashmolean Museum

A catalogue of the Ashmolean’s collection of Chinese prints from 1950-2006 by Weimin He and Shelagh Vainker (published Oxford, 2007).

Chinese Prints 1950-2006 in the Ashmolean Museum by Weimin He and Shelagh Vainker

Publications online: 129 objects

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New Year's Festival

  • Literature notes

    If a work has no cultural connotation and spiritual value in it, it is a mere empty formality.

    Guan Housheng completed a printmaking course at the China Academy of Fine Arts in 1986 and is currently a full-time printmaker in Harbin Arts Institute. Under the influence of the Great Northern Wilderness School, Guan primarily uses the woodcut medium, with multiple blocks to depict country scene and folk activities. His recent work has moved away from explicit representation of social realism towards a simplification and abstraction of form.
  • Details

    Associated place
    Asia China (place of creation)
    Date
    1982
    Artist/maker
    Guan Housheng (born 1948) (printmaker)
    Material and technique
    mulit-block woodcut, printed with oil-based ink
    Dimensions
    mount 60.8 x 81 cm (height x width)
    sheet 57.3 x 64.5 cm (height x width)
    print 45.5 x 52.2 cm (height x width)
    Material index
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Purchased, 2007.
    Accession no.
    EA2007.23
  • Further reading

    Weimin He, and Shelagh Vainker, Chinese Prints 1950-2006 in the Ashmolean Museum (Oxford: Ashmolean Museum, 2007), no. 67 on p. 77, illus. p. 77

Location

    • currently in research collection

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

Publications online

  • Chinese Prints 1950-2006 in the Ashmolean Museum by Weimin He and Shelagh Vainker

    Chinese Prints 1950-2006 in the Ashmolean Museum

    If a work has no cultural connotation and spiritual value in it, it is a mere empty formality.

    Guan Housheng completed a printmaking course at the China Academy of Fine Arts in 1986 and is currently a full-time printmaker in Harbin Arts Institute. Under the influence of the Great Northern Wilderness School, Guan primarily uses the woodcut medium, with multiple blocks to depict country scene and folk activities. His recent work has moved away from explicit representation of social realism towards a simplification and abstraction of form.
Notice

Object information may not accurately reflect the actual contents of the original publication, since our online objects contain current information held in our collections database. Click on 'buy this publication' to purchase printed versions of our online publications, where available, or contact the Jameel Study Centre to arrange access to books on our collections that are now out of print.

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