Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Chinese Prints 1950-2006 in the Ashmolean Museum

A catalogue of the Ashmolean’s collection of Chinese prints from 1950-2006 by Weimin He and Shelagh Vainker (published Oxford, 2007).

Chinese Prints 1950-2006 in the Ashmolean Museum by Weimin He and Shelagh Vainker

Publications online: 129 objects

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We Are the Force Criticizing Lin Biao and Confucius

  • Literature notes

    I am a very simple person and I do not have much talent for dining or dressing. Yet God is fair: I have a special talent on canvas.

    In 1966, Wang Jieyin graduated from the Shanghai School of Art. He became a teacher there in 1977 and in 1986 he pursued his studies further at the Academy of Applied Arts in Vienna. He is now a professor at the College of Fine Arts in Shanghai University. Wang’s early work reflects the 1970s mainstream influence of Soviet socialist realism. His recent work combines traditional literary art, folk art and abstract art to form his own visual language in prints and paintings, with a purely aesthetic concern.
  • Description

    This print depicts factory workers involved in the political campaign to ‘Criticize Lin Biao and Confucius’, one of a series of political movements in the Cultural Revolution. The information panel reads: ‘Reading and studying hard, criticizing Lin and Confucius in depth’. The style of this work reflects the 1970s mainstream influence of Soviet socialist realism. Wang Jieyin is now a professor at the College of Fine Arts of Shanghai University.

  • Details

    Associated place
    Asia China (place of creation)
    Date
    1973
    Artist/maker
    Wang Jieyin (born 1941) (printmaker)
    Associated people
    Lin Biao (1907 - 1971) (named on object)
    Confucius (551 - 479 BC) (named on object)
    Material and technique
    woodcut, printed with oil-based ink
    Dimensions
    sheet 70 x 99 cm (height x width)
    print 61 x 74.5 cm (height x width)
    Material index
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Purchased, 2007.
    Accession no.
    EA2007.57
  • Further reading

    Weimin He, and Shelagh Vainker, Chinese Prints 1950-2006 in the Ashmolean Museum (Oxford: Ashmolean Museum, 2007), no. 46 on p. 55, illus. p. 55

Past Exhibition

see (1)

Location

    • currently in research collection

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

Publications online

  • Chinese Prints 1950-2006 in the Ashmolean Museum by Weimin He and Shelagh Vainker

    Chinese Prints 1950-2006 in the Ashmolean Museum

    I am a very simple person and I do not have much talent for dining or dressing. Yet God is fair: I have a special talent on canvas.

    In 1966, Wang Jieyin graduated from the Shanghai School of Art. He became a teacher there in 1977 and in 1986 he pursued his studies further at the Academy of Applied Arts in Vienna. He is now a professor at the College of Fine Arts in Shanghai University. Wang’s early work reflects the 1970s mainstream influence of Soviet socialist realism. His recent work combines traditional literary art, folk art and abstract art to form his own visual language in prints and paintings, with a purely aesthetic concern.
Notice

Object information may not accurately reflect the actual contents of the original publication, since our online objects contain current information held in our collections database. Click on 'buy this publication' to purchase printed versions of our online publications, where available, or contact the Jameel Study Centre to arrange access to books on our collections that are now out of print.

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