Chinese Prints 1950-2006 in the Ashmolean Museum
A catalogue of the Ashmolean’s collection of Chinese prints from 1950-2006 by Weimin He and Shelagh Vainker (published Oxford, 2007).
Publications online: 129 objects
- Reference URL
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Literature notes
The Tibetan women living on the Qinghai-Tibet plateau are well known for their diligence, whether it is their cheerful laughter during work, or the playful fun between mothers and children during break, all of which show the unique and vigorous vitality of Tibetan women. These are the source of my inspiration.
In 1969, Zhong Changqing graduated from the middle school attached to the Sichuan Academy of Fine Arts (SAFA) in Chongqing. In 1970, he was sent to Aba Tibetan Autonomous region until 1978, when he entered the SAFA and graduated in 1982. Two years later he gained a Master’s degree and began to teach in the faculty, later becoming head of the Department. His woodcuts show typical characteristics of the Sichuan School, which uses mainly monochrome techniques but with his own rough, linear style. -
Details
- Associated place
- Date
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designed 1982
printed 2006
- Artist/maker
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Zhong Changqing (born 1949) (printmaker)
- Material and technique
- woodcut, printed with oil-based ink
- Dimensions
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sheet 48 x 71 cm (height x width)
print 48 x 71 cm (height x width)
- Material index
- Technique index
- Object type index
- No. of items
- 1
- Credit line
- Purchased, 2007.
- Accession no.
- EA2007.82
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Further reading
Weimin He, and Shelagh Vainker, Chinese Prints 1950-2006 in the Ashmolean Museum (Oxford: Ashmolean Museum, 2007), no. 70 on p. 80, illus. p. 80
Location
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- currently in research collection
Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.
Publications online
-
Chinese Prints 1950-2006 in the Ashmolean Museum
The Tibetan women living on the Qinghai-Tibet plateau are well known for their diligence, whether it is their cheerful laughter during work, or the playful fun between mothers and children during break, all of which show the unique and vigorous vitality of Tibetan women. These are the source of my inspiration.
In 1969, Zhong Changqing graduated from the middle school attached to the Sichuan Academy of Fine Arts (SAFA) in Chongqing. In 1970, he was sent to Aba Tibetan Autonomous region until 1978, when he entered the SAFA and graduated in 1982. Two years later he gained a Master’s degree and began to teach in the faculty, later becoming head of the Department. His woodcuts show typical characteristics of the Sichuan School, which uses mainly monochrome techniques but with his own rough, linear style.
Notice
Object information may not accurately reflect the actual contents of the original publication, since our online objects contain current information held in our collections database. Click on 'buy this publication' to purchase printed versions of our online publications, where available, or contact the Jameel Study Centre to arrange access to books on our collections that are now out of print.
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