Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Chinese Prints 1950-2006 in the Ashmolean Museum

A catalogue of the Ashmolean’s collection of Chinese prints from 1950-2006 by Weimin He and Shelagh Vainker (published Oxford, 2007).

Chinese Prints 1950-2006 in the Ashmolean Museum by Weimin He and Shelagh Vainker

Publications online: 129 objects

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Strong Willow in a Gale

  • Literature notes

    Qualities suggestive of poetry and painting are China's traditional aesthetic in the upholding of artistic boundaries. I consider that poetic sentiment and pictorial means represent a pinnacle in creating art for the purpose of life.

    Song Yuanwen studied at the Baishan Art School in Liaoning in 1948 and further studied printmaking between 1956 and 1961 at the Central Academy of Fine Arts, Beijing. He taught in the faculty from the time of his graduation until the mid-1990s. He was the head of the Printmaking Department of CAFA and former Chairman of the Chinese Printmakers’ Association. His social role and academic position represent an official stand and have influenced the direction of modern Chinese printmaking. His woodcuts are predominantly monochrome, poetical depictions of the vast northern land.
  • Details

    Associated place
    Asia China (place of creation)
    Date
    1980
    Artist/maker
    Song Yuanwen (born 1933) (printmaker)
    Material and technique
    woodcut, printed with oil-based ink
    Dimensions
    sheet 72.9 x 52 cm (height x width)
    print 56.5 x 32.3 cm (height x width)
    Material index
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Purchased, 2007.
    Accession no.
    EA2007.51
  • Further reading

    Weimin He, and Shelagh Vainker, Chinese Prints 1950-2006 in the Ashmolean Museum (Oxford: Ashmolean Museum, 2007), no. 60 on p. 69, illus. p. 69

Location

    • currently in research collection

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

Publications online

  • Chinese Prints 1950-2006 in the Ashmolean Museum by Weimin He and Shelagh Vainker

    Chinese Prints 1950-2006 in the Ashmolean Museum

    Qualities suggestive of poetry and painting are China's traditional aesthetic in the upholding of artistic boundaries. I consider that poetic sentiment and pictorial means represent a pinnacle in creating art for the purpose of life.

    Song Yuanwen studied at the Baishan Art School in Liaoning in 1948 and further studied printmaking between 1956 and 1961 at the Central Academy of Fine Arts, Beijing. He taught in the faculty from the time of his graduation until the mid-1990s. He was the head of the Printmaking Department of CAFA and former Chairman of the Chinese Printmakers’ Association. His social role and academic position represent an official stand and have influenced the direction of modern Chinese printmaking. His woodcuts are predominantly monochrome, poetical depictions of the vast northern land.
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Object information may not accurately reflect the actual contents of the original publication, since our online objects contain current information held in our collections database. Click on 'buy this publication' to purchase printed versions of our online publications, where available, or contact the Jameel Study Centre to arrange access to books on our collections that are now out of print.

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