Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

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The Newberry Collection of Islamic Embroideries

An unpublished catalogue of the Ashmolean’s collection of Islamic embroideries from Egyptologist Percy Newberry, by Ruth Barnes and Marianne Ellis.

The Newberry Collection of Islamic Embroideries by Ruth Barnes and Marianne Ellis

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Textile fragment with birds, cartouches, and circles

  • Literature notes

    Two parallel bands and two birds are drawn in black outlines, with remains of painted blue, red, gold and brown. The smaller band is made up from long cartouches and circles; the circles are blue, the cartouches contain a golden tendril and leaves. The two birds face each other; they are naturalistically drawn.

    The original accession card identifies the fragment as probably originating in Iraq, dating to the 11th/12th century.
  • Details

    Associated place
    Africa Egypt (find spot)
    AfricaEgyptCairoCairo Fustat (possible find spot)
    Near East (place of creation)
    Asia Iraq (probable place of creation)
    Date
    11th - 12th century (1001 - 1200)
    Material and technique
    cotton, decorated with black ink, and with traces of coloured pigment and gold leaf
    Dimensions
    15 x 14 cm max. (length x width)
    along length/width 36 / 34 threads/cm (thread count)
    0.01 cm (thread diameter)
    Material index
    organicvegetalfibre cotton,
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Presented by Professor Percy Newberry, 1941.
    Accession no.
    EA1988.18
  • Further reading

    Barnes, Ruth and Marianne Ellis, ‘The Newberry Collection of Islamic Embroideries’, 4 vols, 2001, Oxford, Ashmolean Museum, cat. vol. iii, illus. vol. i

Location

    • currently in research collection

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Publications online

  • The Newberry Collection of Islamic Embroideries by Ruth Barnes and Marianne Ellis

    The Newberry Collection of Islamic Embroideries

    Two parallel bands and two birds are drawn in black outlines, with remains of painted blue, red, gold and brown. The smaller band is made up from long cartouches and circles; the circles are blue, the cartouches contain a golden tendril and leaves. The two birds face each other; they are naturalistically drawn.

    The original accession card identifies the fragment as probably originating in Iraq, dating to the 11th/12th century.
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