Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

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The Newberry Collection of Islamic Embroideries

An unpublished catalogue of the Ashmolean’s collection of Islamic embroideries from Egyptologist Percy Newberry, by Ruth Barnes and Marianne Ellis.

The Newberry Collection of Islamic Embroideries by Ruth Barnes and Marianne Ellis

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Textile fragment with naskhi inscription

  • Literature notes

    A naskhi inscription in reserve against a red embroidered background. The embroidery takes the shape of a large chevron zigzag; very small remains of blue silk indicate that a narrow blue band once ran alongside the wide red one.

    The inscription reads (al-ma)jd wa l-dan(?) wa l-r(ahma) which can only partly be translated as 'pomp and [?] and rest'. Threads are couched down over surface satin filling stitches.
  • Details

    Associated place
    Africa Egypt (find spot)
    AfricaEgyptCairoCairo Fustat (possible find spot)
    Near East (place of creation)
    Date
    10th - 15th century AD
    Material and technique
    linen, embroidered with red and blue silk
    Dimensions
    15 x 14 cm max. (length x width)
    along length/width 16 / 18 threads/cm (thread count)
    ground fabric 0.05 cm max. (thread diameter)
    ground fabric 0.02 cm min. (thread diameter)
    additional fibre, embroidery 0.05 cm (thread diameter)
    Material index
    organicvegetalfibreflax linen,
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Presented by Professor Percy Newberry, 1941.
    Accession no.
    EA1984.50
  • Further reading

    Barnes, Ruth and Marianne Ellis, ‘The Newberry Collection of Islamic Embroideries’, 4 vols, 2001, Oxford, Ashmolean Museum, cat. vol. ii, illus. vol. i

Location

    • currently in research collection

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Publications online

  • The Newberry Collection of Islamic Embroideries by Ruth Barnes and Marianne Ellis

    The Newberry Collection of Islamic Embroideries

    A naskhi inscription in reserve against a red embroidered background. The embroidery takes the shape of a large chevron zigzag; very small remains of blue silk indicate that a narrow blue band once ran alongside the wide red one.

    The inscription reads (al-ma)jd wa l-dan(?) wa l-r(ahma) which can only partly be translated as 'pomp and [?] and rest'. Threads are couched down over surface satin filling stitches.
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