Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

The Barlow Collection

A select catalogue of the Barlow collection of Chinese Ceramics, Bronzes and Jades by the University of Sussex (published Sussex, 2006).

The Barlow Collection by the University of Sussex

Publications online: 456 objects

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Blue-and-white dish with floral decoration

  • Literature notes

    The dish has deep rounded sides and an everted rim, both shaped in twelve bracket foliations, the centre of matching barbed outline, the circular foot of V-shaped section. The dish is painted in a bright purplish cobalt-blue with a composite flower scroll in the centre with a peony surrounded by hibiscus, lotus, camellia and another flower, each with matching leaves. Twelve flower sprays are depicted each around the inner and outer sides, showing morning glory, lotus, peony, chrysanthemum, pomegranate, and hibiscus, each repeated twice. A lingzhi scroll decorates the rim inside, while the outer rim is plain except for blue outlines. The footring and base are left unglazed and have fired an uneven bright orange colour.
  • Details

    Associated place
    AsiaChinaJiangxi provinceJingdezhen Jingdezhen kilns (place of creation)
    Date
    1403 - 1425
    Ming Dynasty (1368 - 1644)
    Material and technique
    porcelain, thrown, with underglaze painting in cobalt-blue
    Dimensions
    7.1 cm (height)
    38 cm (diameter)
    Material index
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Lent by the Sir Alan Barlow Collection Trust.
    Accession no.
    LI1301.144
  • Further reading

    University of Sussex, and Arts and Humanities Research Council, The Barlow Collection, supervised by Regina Krahl, Maurice Howard, and Aiden Leeves (Sussex: University of Sussex, 2006), no. C119

Glossary (2)

porcelain, underglaze painting

  • porcelain

    Ceramic material composed of kaolin, quartz, and feldspar which is fired to a temperature of c.1350-1400⁰c. The resulting ceramic is vitreous, translucent, and white in colour.

  • underglaze painting

    Painting applied to ceramic material before a transparent, or monochrome or coloured glaze for Islamic objects, is applied. The technique was initially developed in China.

Location

    • Second floor | Room 38 | China from 800

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Publications online

  • The Barlow Collection by the University of Sussex

    The Barlow Collection

    The dish has deep rounded sides and an everted rim, both shaped in twelve bracket foliations, the centre of matching barbed outline, the circular foot of V-shaped section. The dish is painted in a bright purplish cobalt-blue with a composite flower scroll in the centre with a peony surrounded by hibiscus, lotus, camellia and another flower, each with matching leaves. Twelve flower sprays are depicted each around the inner and outer sides, showing morning glory, lotus, peony, chrysanthemum, pomegranate, and hibiscus, each repeated twice. A lingzhi scroll decorates the rim inside, while the outer rim is plain except for blue outlines. The footring and base are left unglazed and have fired an uneven bright orange colour.
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Object information may not accurately reflect the actual contents of the original publication, since our online objects contain current information held in our collections database. Click on 'buy this publication' to purchase printed versions of our online publications, where available, or contact the Jameel Study Centre to arrange access to books on our collections that are now out of print.

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