Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

The Past in the Present: Script and Archaism in Modern Chinese Art

(from 6th Oct 2010 until 27th Feb 2011)

Explore the influence of early Chinese writing and artefacts on the art of the twentieth century and beyond.

Detail of Peonies in a bronze vessel, China, 1903 (Museum No: EA2007.103)
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Peonies in a bronze vessel

  • Description

    Wu Changshuo is known as one of the major figures in the Shanghai School of artists, renowned for their modernization of painting style in the late 19th and early 20th centuries. His career began however with the study of ancient stone and bronze inscriptions, seal carvings, and calligraphy in archaic scripts. This gave his own calligraphy a boldness that is also discernible in his painting brushwork. After the fall of the Qing dynasty in 1911 there were fewer opportunities to make a living from the pursuits associated with a classical education, and his painting repertoire expanded to include bamboo and bird and flower painting, and occasionally figures and landscapes.

    The bronze vessel in this painting is a ding ritual vessel of the mid-Zhou dynasty (c. 1050-221 BC), depicted together with its inscription. Bronzes were first collected in the Song dynasty (AD 960-1279), mainly for the historical importance of their inscriptions. The practice was revived in the Qing dynasty (1644-1911), and a new way of representing the vessels was developed.

    Catalogues printed between AD 1100 and 1800 illustrated bronzes in line only. In 1796 the first three-dimensional representation was published, following a version of the rubbing technique that had long been used for reproducing inscriptions. To achieve the full-figured rubbing (quanxing ta) several separate rubbings were taken from different parts of the vessel. These were then mounted together to create a single image.

  • Details

    Associated place
    Asia China (place of creation)
    Date
    1903
    Artist/maker
    Wu Changshuo (1844 - 1927) (artist)
    Wu Changshuo (1844 - 1927) (calligrapher)
    Material and technique
    ink and colour with ink rubbing on paper
    Dimensions
    mount 203 x 76 cm (height x width)
    painting 133 x 66 cm (height x width)
    along roller 82 cm (length)
    Material index
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Bequeathed by Dr Oliver Impey, 2007.
    Accession no.
    EA2007.103

Glossary

ding

  • ding

    A Chinese bronze tripod ritual cooking vessel. Also a type of white porcelain from Northern China.

Past Exhibition

see (1)

Location

    • currently in research collection

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

Notice

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