Explore the continued tradition of Chinese landscape painting in this complement to the Xu Bing show.
Wu Guxiang was one of the leading painters of the Orthodox School in Shanghai. His landscape style is said to derive from the Ming masters Wen Zhengming (1470-1559) and Tang Yin (1470-1523).
The inscription on this painting, however, quotes the Qing master Yun Shouping (1633-1690): ‘You must grasp the spirit of freezing coldness. Its appearance is solemn, and its light is dim. It accumulates layers after layers, and you can follow the trace to a new realm of enjoyment. The breath of coldness floats over tables and chairs, and the fierce storm starts from the tip of a hair. You must get the similarity of the spirit, and take the shape of the nature. This can be used to describe the painting of snow.’
Oxford: Ashmolean Museum, 24 September-1 December 1996, Modern Chinese Paintings: The Reyes Collection in the Ashmolean Museum, Oxford, Vainker, Shelagh (Oxford: Ashmolean Museum, 1996), no. 88 on p. 67, p. 10, illus. p. 67 fig. 88
Vainker, Shelagh, ‘Modern Chinese Paintings in the Ashmolean Museum’, Oriental Art, 42/3, (Autumn 1996), p. 3, illus. p. 2 fig. 1
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