Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Room 32 | India 600-1900 gallery

Explore Hindu, Buddhist and Jain art from India, the Himalayas and Southeast Asia.

India gallery main image

Galleries : 299 objects

Reference URL

Actions

Send e-mail

Contact us about this object

Send e-mail

Send to a friend

Figure of Shiva and Parvati (Uma-Maheshvara)

Location

    • First floor | Room 32 | India from 600

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

Publications online

  • Indian Art in the Ashmolean Museum by J. C. Harle and Andrew Topsfield

    Indian Art in the Ashmolean Museum

    This brass image is closely related in iconography to the small stone stele illustrated as [EAOS.70]; its quality, however, is considerably greater. Umā is a proud little figure and the Nandī has real individuality. The exceptionally thin legs and the slim body of both the central figures add a touch of elegance to this sculpture. They are, moreover, admirably set off by the spare but beautifully proportioned architectural surround.

    The god holds a sweet lime (mātuluṅga), one of his emblems, in his lower right hand; the attendant figures are less numerous than in [EAOS.70], Bhṛṅgi and Umā’s lion being absent. A charming touch is the épergne heaped with sweet cakes, his favourite food, which is placed near Gaṇeśa. Another such object, on the centre of the base, is missing.

    While Jain brasses from Rajasthan or Gujarat of the later Hindu period almost all bear long inscriptions detailing who they were made by and where, as well as a date [see EAOS.108], inscribed Hindu images such as this one are rare at this time. Plastically, this image has escaped the trend towards excessive abstraction in geometric forms of the Jain images as seen in [EAOS.108]

    Mr. M.A. Dhaky of the American Institute of Indian Studies at Rām Nagar, Varanasi, has kindly supplied a transliteration of the image’s inscription:
    Saṃvat 1340 varṣe Caitra vadi 13 Guravadyeha … śrīmad … jāla śrīnnatasavapādānāma (?) … mahārājye śrī Jābālapure samtiṣṭhamāna deva śrī Cāpaleśvara melakamahotsava … bhrati // nandatā … pūjyamāna … // “In the saṃvat (year) 1340, in Caitra, the thirteenth of the dark half and on Thursday, in the great kingdom of … at the festival of the god Cāpaleśvara at Śrī Jābālapura … (rest too fragmentary).”

    Jābālapura is the ancient town of Jālor, in Rajasthan, near Mt. Abu.
Notice

Objects may have since been removed or replaced from a gallery. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.

© 2013 University of Oxford - Ashmolean Museum