Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Room 12 | India 2500 BC-AD 600 gallery

Explore the early development of Indian art, from the artefacts of the Indus Valley to the Hindu and Buddhist sculpture of north India and Gandhara.

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Figure of a musician carrying a water-skin

  • Description

    Collected by Sir Aurel Stein in his travels, this fragmentary figure plays a stringed instrument and carries a goat-skin water bag on his back.

  • Details

    Associated place
    AsiaChinaXinjiang Yotkan (probable place of creation)
    Date
    4th century AD (AD 301 - 400)
    Material and technique
    terracotta, modelled
    Dimensions
    9.5 x 7.2 x 7.5 cm max. (height x width x depth)
    Material index
    Technique index
    Object type index
    No. of items
    1
    Credit line
    Bequeathed by Frederick Henry Andrews, 1958.
    Accession no.
    EA1958.116
  • Further reading

    Harle, J. C., and Andrew Topsfield, Indian Art in the Ashmolean Museum (Oxford: Ashmolean Museum, 1987), no. 37 on pp. 28-29, illus. p. 29

Location

    • Ground floor | Room 12 | India to 600

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

Publications online

  • Indian Art in the Ashmolean Museum by J. C. Harle and Andrew Topsfield

    Indian Art in the Ashmolean Museum

    This is perhaps the most lively of the terracotta finds by Sir Aurel Stein in Khotan, and one of the few figurines. The light colour is characteristic of the terracottas from Yotkan, and so is the technique of the lightly incised eyes, but the bearded face is conceived fully in the round. Most of the detached heads found at Yotkan on the other hand are doll-like and flattened. The figurine illustrated here lends some credence to the judgement of a contemporary that the Khotanese, as well as being frivolous, were exceptionally fond of music.
Notice

Objects may have since been removed or replaced from a gallery. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.

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