Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Ashmolean − Eastern Art Online, Yousef Jameel Centre for Islamic and Asian Art

Room 12 | India 2500 BC-AD 600 gallery

Explore the early development of Indian art, from the artefacts of the Indus Valley to the Hindu and Buddhist sculpture of north India and Gandhara.

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Galleries : 116 objects

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Copper harpoon from the Copper Hoard Culture

Location

    • Ground floor | Room 12 | India to 600

Objects are sometimes moved to a different location. Our object location data is usually updated on a monthly basis. Contact the Jameel Study Centre if you are planning to visit the museum to see a particular object on display, or would like to arrange an appointment to see an object in our reserve collections.

 

Publications online

  • Indian Art in the Ashmolean Museum by J. C. Harle and Andrew Topsfield

    Indian Art in the Ashmolean Museum

    Copper objects in the form of weapons, tools and implements have been found at sites scattered over most of India and Pakistan, but those indicating a "separate cultural identity", in the Allchins' phrase, a group to which the harpoon belongs, tend to come from Doab, between the Jumna and the Ganges and sites to the south and east; harpoons themselves have only been found in the Doab and at closely adjacent sites. They have nearly always been found in hoards (deposits of coincs or other objects purposely concealed and usually buried). The Museum also possesses a celt or axe head ([EA1954.66] - donated by Major General H. L. Haughton) from the largest of all these hoards, the mammoth deposit of 400 copper objects, accompanied by some silver, weighing in all 829 lbs. (376 kg.), found at Gungeria in Madhya Pradesh. The find-place of this harpoon is not known. The small lug or eyelet was to enable the head to be detached from the shaft and secured by a line.
    The relation of the "Copper hoard culture" to better known ones still presents problems although certain associations have made it possible to assign approximate dates to it. The principal uncertainty about the copper hoard objects remains their use; their excessive weight and often size would point to a non-utilitarian use, ritual perhaps or as objects of exchange or status symbols.
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Objects may have since been removed or replaced from a gallery. Click into an individual object record to confirm whether or not an object is currently on display. Our object location data is usually updated on a monthly basis, so contact the Jameel Study Centre if you are planning to visit the museum to see a particular Eastern Art object.

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